Utrecht Artists' Oil Paint - Cadmium-Free Orange, 37 ml

Pigment Information

This color contains the following pigments:

PO73-Transparent Pyrrole Orange

PY73-Arylide Yellow

PY184-Bismuth Yellow

PW4-Zinc White

Pigment Name

PO73-Transparent Pyrrole Orange

Pigment Type

organic, aminoketone

Chemical Name

dipyrrolopyrrol

Properties

Transparent Pyrrole Orange is a yellow-shade orange with optimum performance; high saturation and excellent durability, excellent bleed resistance, and intrinsic strength coupled with good opacity and moderate rheology. It is semi-opaque, less opaque than Cadmium Orange.

Permanence

Transparent Pyrrole Orange has been demonstrated to have excellent stability and lightfastness in automotive applications.

History

Irgazin Orange was developed as a lead-free alternative opaque orange pigment. It is used in decorative, industrial, and automotive applications, often to color plastics and polymers.

Pigment Name

PY73-Arylide Yellow

Pigment Type

monoazo

Chemical Formula

C17H15ClN4O5

Properties

This Hansa Yellow ranges from reddish yellow to greenish yellow with temperature shifts from cool to warm hues. It has good tinting strength and average to slow drying time.

Permanence

This Hansa Yellow has excellent lightfastness, particularly in the darker shades.

Pigment Name

PY184-Bismuth Yellow

Pigment Type

inorganic

Chemical Name

bismuth orthovanadate or bismuth vanadium oxide

Chemical Formula

BiVO4

Properties

Bismuth Yellow is an intense, light value, semi-opaque yellow pigment with good tinting strength.

Permanence

Bismuth Yellow has excellent lightfastness.

History

Bismuth orthovanadate occurs naturally in several minerals. Although it was synthesized in the 1920s, it was not developed as a commercial pigment until the 1970s.

Pigment Name

PW4-Zinc White

Pigment Type

inorganic

Chemical Name

zinc(II)-oxide

Chemical Formula

ZnO

Properties

Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

Permanence

Zinc White has great permanence and lightfastness.