Williamsburg Handmade Oil Paint - Montserrat Orange, 37 ml tube

Pigment Information

This color contains the following pigments:

PV19-Quinacridone Violet

PO20-Cadmium Orange

PW4-Zinc White

Pigment Name

PV19-Quinacridone Violet

Pigment Type

organic synthetic, quinacridone

Chemical Formula

C20H12N2O2

Properties

Quinacridone Red is a high performance, transparent pigment with an average drying time and uneven dispersal. It is another name for Quinacridone Violet (PV19) and Quinacridone Red (PR192). Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.

Permanence

Quinacridone Violet has excellent lightfastness and is considered the most lightfast organic pigment in this shade range.

Toxicity

Quinacridone Violet has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.

History

Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.

Pigment Name

PO20-Cadmium Orange

Pigment Type

cadmium

Chemical Name

cadmium sulfide and cadmium selenide

Chemical Formula

CdS x CdSe

Properties

Cadmium Orange was the first true orange and was made by mixing Cadmium Yellow with Cadmium Red. It is a pure hue with excellent opacity and low toxicity compared with its predecessors. It also has very high hiding power. The greatest tinting strengths are possessed by the deeper shades. Only the highest grades contain pure Cadmium Orange without barium mixed in it. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfasness to the cadmium colors, cheaper, and non-toxic.

Permanence

Cadmium Orange has excellent permanence, but like many cadmium pigments, it will fade in fresco or mural painting. The deeper varieties of this pigment are the most permanent. The paler varieties have been known to fade when exposed to sunlight.

Toxicity

Cadmium Orange is a known human carcinogen. It is extremely toxic if inhaled and slightly toxic if ingested.

History

Cadmiums get their names from the Latin word cadmia, meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth,  first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. It was used sparingly after its discovery due to the scarcity of cadmium metal.

Pigment Name

PW4-Zinc White

Pigment Type

inorganic

Chemical Name

zinc(II)-oxide

Chemical Formula

ZnO

Properties

Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

Permanence

Zinc White has great permanence and lightfastness.

Toxicity

Zinc White is moderately toxic if ingested and slightly toxic if inhaled.

History

Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.