Williamsburg Handmade Oil Paint - Naples Yellow, 37 ml tube

4.9 out of 5 stars
4.9
Item #:01571-4143
View Product Details
Williamsburg Handmade Oil Paint - Naples Yellow, 37 ml tube and swatch

Save For Later

  • My Wish Lists

Product Details

Description:
Handmade Oil Paint
Color:
Naples Yellow
Size:
37 ml (1.25 oz)
Format:
Tube
No.
442
Series:
2
Mfg #:
6000442-9

Colors on Monitors -

Due to differences in users’ monitors, the colors presented are an approximation of the true color.

Reviews

Pigment Information

This color contains the following pigments:

PY42-Mars Orange

PV15-Ultramarine Violet

PY65-Hansa Yellow

PY3-Hansa Yellow 10G

PW4-Zinc White


Pigment Name

PY42-Mars Orange

Pigment Type

inorganic, earth

Chemical Name

iron oxide

Chemical Formula

Fe2O2 or Fe2O3 • H2O

Properties

Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.

Permanence

Mars Orange has excellent permanence and lightfastness.

Toxicity

Mars Orange has no significant hazards.

History

The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.


Pigment Name

PV15-Ultramarine Violet

Pigment Type

inorganic

Chemical Name

complex silicate of sodium and aluminum with sulfur

Chemical Formula

H2Na(4-6)Al6Si6O24S2

Properties

Ultramarine Violet is a semi-transparent, dull purple to pale violet with low tinting strength. As a pigment, it is weak in most oil applications, but it performs better in water-based mediums, pastels, and chalks. It is generally the bluest of the violet pigments, although there can be significant differences in color across brands. It is not suitable for fresco work and does not mix well with yellows. Ultramarine Violet is a variant of Ultramarine Blue, and their pigment properties are identical.

Permanence

Ultramarine Violet has excellent permanence and lightfastness.

Toxicity

Ultramarine Violet has no significant hazards.

History

Unknown.


Pigment Name

PY65-Hansa Yellow

Pigment Type

monoazo

Chemical Formula

C18H18N4O6

Properties

This Hansa Yellow ranges from reddish yellow to greenish yellow with temperature shifts from cool to warm hues. It has good tinting strength and average to slow drying time.

Permanence

This Hansa Yellow has excellent lightfastness, particularly in the darker shades.

Toxicity

Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.

History

Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.


Pigment Name

PY3-Hansa Yellow 10G

Pigment Type

organic, monoazo

Chemical Formula

C16H12CL2N4O2

Properties

This Hansa yellow is a transparent yellow. It has great brightness and tinting strength and its drying time ranges from average to slow. Hansa Yellow makes more intense tints and cleaner secondaries than Cadmium Yellows, especially when mixed with other organic or modern colors like Phthalo Blue and Green. Because they are more transparent, they have great value as glazing colors.

Permanence

This Hansa Yellow has fair to good permanence, particularly in the lighter shades.

Toxicity

Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.

History

Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.


Pigment Name

PW4-Zinc White

Pigment Type

inorganic

Chemical Name

zinc(II)-oxide

Chemical Formula

ZnO

Properties

Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

Permanence

Zinc White has great permanence and lightfastness.

Toxicity

Zinc White is moderately toxic if ingested and slightly toxic if inhaled.

History

Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.


Safety Data Sheet

UPC Code: 877463000713

ASIN #: B0006OJCUY