HomePaintOil Paint and SticksRicheson Shiva Paintstik OilsShiva Artist's Paintstik Oil Color - Yellow Citron, Regular

Shiva Artist's Paintstik Oil Color - Yellow Citron, Regular

Item #:00409-4674
View Product Details
click image to zoom in
Yellow Citron
Yellow Citron
Current price:$0.00

Save For Later

  • My Wish Lists
AP Non-Toxic.

Products bearing the AP seal of the Art & Creative Materials Institute, Inc. (ACMI) are certified non-toxic. A product can be certified non-toxic only if it contains no materials in sufficient quantities to be toxic or injurious to humans, or to cause acute or chronic health problems.

Product Details

Color:
Yellow Citron
Size:
Regular
Diameter:
0.62''
Length:
4.5''
Mfg #:
121221

Pigment Information

This color contains the following pigments:

PY1-Hansa Yellow G

PY12-Diarylide Yellow 12

PW6-Titanium White

PBr7-Burnt Sienna

PB29-Ultramarine [Blue]


Pigment Name

PY1-Hansa Yellow G

Pigment Type

organic, monoazo

Chemical Formula

C17H16N4O4

Properties

This Hansa yellow is a transparent yellow. It has great brightness and tinting strength and its drying time ranges from average to slow. Hansa Yellow makes more intense tints and cleaner secondaries than Cadmium Yellows, especially when mixed with other organic or modern colors like Phthalo Blue and Green. Because they are more transparent, they have great value as glazing colors.

Permanence

Hansa Yellow G has good permanence and lightfastness, particularly in the lighter shades.

Toxicity

Hansa Yellow pigments have no significant acute hazards, though chronic hazards have not been well studied.

History

Hansa Yellows were first made in Germany just before World War I from a series of synthetic dyestuffs called Pigment Yellow. Hansa Yellow G, introduced in 1910, was the first of these products to be commercialized. Hansa Yellow G was the standard yellow for printing inks until late in the 20th century, when stronger diarylide yellows began to replace it. It is still used a great deal in packaging, and for air drying paints.


Pigment Name

PY12-Diarylide Yellow 12

Pigment Type

organic, disazo

Chemical Formula

Properties

Pigment PY12 offers a reddish yellow.

Permanence

Pigment PY12 has been reported to fade with exposure to sunlight.

Toxicity

History

The diarylide yellows are a family of bright yellow pigments with a similar molecular structure. Discovered by Grieshiem-Elektron, Pigment Yellow 12 has been used in lithographic and offset printing applications, textiles, plastics, and paints.


Pigment Name

PW6-Titanium White

Pigment Type

inorganic

Chemical Name

titanium dioxide

Chemical Formula

TiO2

Properties

Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.

Permanence

Titanium White has excellent permanence and lightfastness.

Toxicity

Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particl

History

Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.


Pigment Name

PBr7-Burnt Sienna

Pigment Type

earth

Chemical Name

iron oxides

Chemical Formula

Fe2O3

Properties

Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.

Permanence

Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.

Toxicity

Burnt Sienna has no significant hazards.

History

Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.


Pigment Name

PB29-Ultramarine [Blue]

Pigment Type

inorganic

Chemical Name

complex silicate of sodium and aluminum with sulfur

Chemical Formula

Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4

Properties

Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.

Permanence

Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.

Toxicity

Ultramarine has no significant hazards.

History

The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.


Safety Data Sheet

UPC Code: 717304061230

ASIN #: B000A8B1KA