Gamblin Artists' Oil Color - Warm White, 16 oz can
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Product Details
- Description:
- Artist's Oil
- Color:
- Warm White
- Size:
- 473 ml (16 oz)
- Format:
- Can
- Mfg #:
- 4805
Colors on Monitors -
Due to differences in users’ monitors, the colors presented are an approximation of the true color.
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Pigment Information
This color contains the following pigments:
PO62-Benzimidazolone Orange
PY74-Hansa Yellow
PW6-Titanium White
PW4-Zinc White
Pigment Name
PO62-Benzimidazolone Orange
Pigment Type
organic, monoazo
Chemical Formula
C17H13ClN6O5
Properties
Benzimidazolone Orange is a staining, yellowish orange pigment that can become dull in tints. It has an average drying time, and it loses some of its intensity as it dries. The yellowish orange varieties are more transparent.
Permanence
Benzimidazolone Orange has excellent lightfastness and outstanding heat and solvent stability for a monoazo pigment.
Toxicity
Benzimidazolone Orange is not considered toxic.
History
The benzimidazolone group of pigments was developed and patented in 1960 by Hoechst A.G., a German chemical manufacturer that was a forerunner of the pharmaceutical company Aventis. Use of benzimidazolone pigments in the auto industry, especially Benzimidazolone Orange, became common in the 1980s because they were common replacements for lead chromate pigments, which were phased out during this period.
Pigment Name
PY74-Hansa Yellow
Pigment Type
monoazo
Chemical Formula
C18H18N4O6
Properties
Pigment PY74 is one of the most commercially important pigments of the Hansa Yellow group, considered superior to many others in its class based on both tinting strength and lightfastness. Several PY74 grades with different particle sizes are available. Grades with finer particle size are more brilliant and transparent. Pigment PY74 ranges from reddish yellow to greenish yellow, with temperature shifts from cool to warm hues. It has high tinting strength and average to slow drying time.
Permanence
This Hansa Yellow has better lightfastness that other yellow monoazo pigments, particularly in the darker shades.
Toxicity
Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
History
Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Pigment Name
PW6-Titanium White
Pigment Type
inorganic
Chemical Name
titanium dioxide
Chemical Formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Pigment Name
PW4-Zinc White
Pigment Type
inorganic
Chemical Name
zinc(II)-oxide
Chemical Formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Toxicity
Zinc White is moderately toxic if ingested and slightly toxic if inhaled.
History
Though historians are divided on who first isolated the element zinc, they agree that it was first suggested as a white pigment in 1782. Zinc White was accepted as a watercolor in 1834 and was called Chinese White due to the popularity of oriental porcelain in Europe at the time. Ten years later, a suitable oil form was produced. By the early 20th century, it had improved to the point where it was an acceptable alternative to Flake White.
Safety Data Sheet
UPC Code: 729911148051
ASIN #: B00LHT8XU2