Printmaking Papers

Nicely smooth, plate-like surface. Excellent for screenprinting. Not sized, so is exceptionally absorbent.

A very versatile and high-quality printmaking paper. Excellent for all intaglio and etching applications. Medium tooth also makes it a favorite for drawing.

Ideal for drawing, printing, etching, and lettering, Arches Text Wove Paper features a lightly textured, creamy white surface with a unique woven finish. Mouldmade in France from 100% cotton, these lightweight sheets are acid-free, pH neutral, and will not feather or bleed.

Speedball Arnhem 1618 is a 100% rag, acid-free printmaking paper that is suitable for a wide range of printmaking techniques and media. Manufactured in the Netherlands, Arnhem 1618 has a semi-smooth, vellum surface.

A very versatile printmaking and drawing paper. Smooth surface with a slightly velvety feel. Deckled on two sides.

Heavy and very absorbent. Great for absorbing excess water after soaking printmaking and watercolor paper. Color: White.

Machine-made in the USA of 50% cotton and 50% sulphite. Neutral pH, lightly-textured surface, no deckles, sized for letterpress printing. Color: Off-White.

Fabriano joined forces with a prominent printmaking research facility to introduce Unica Printmaking Paper, a versatile sheet for printmaking, drawing, and light water media.

Made of 100% cotton. Neutral pH, sized for offset and silkscreen printing, no deckles. Color: White.

Legion printmaking paper's Somerset Satin smooth surface is designed for calligraphy, etching and embossing, hand lithography, inkjet printing, letterpress, offset litho, pastel, charcoal, and silkscreen. Mould made in England by St.

Versatile 100% cotton fine art paper. Ideal for printmaking and more. Stonehenge rivals the European mould-made papers with its ability to produce excellent results in a broad variety of mediums.

Strathmore 300 Series Lightweight Printmaking Papers is great for a wide variety of printmaking techniques. This lightweight, natural white paper is ideally suited for relief printing (such as block or linocut), plus practicing and proofing.

This heavyweight, acid-free, natural white paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio, screen printing, and relief printing. Its medium-texture surface is soft, durable, and can absorb large amounts of ink.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

Made from traditional Japanese fibers such as kozo and gampi, these beautiful papers are suitable for ink work, printmaking, and drawing. Individual 17" x 20-1/2" sheets are acid-free, archival, and have four deckle edges.

This natural white, 50 gsm paper is ideal for block printing, chine colle, and sumi painting. Handmade in Japan from kozo fiber and sulphite. 50 gsm.

A white, handmade paper made from a combination of kozo and sulphite. Acid-free. Four deckled edges.

Natural color, 100% Philippine gampi, acid-free, handmade paper used for woodcuts and etching. It has a silky feel. Weight is 30 gsm.

Machine-made in japan of 100% sulphite. Neutral pH. No deckles.

Handmade in Japan from a mix of kozo/sulphite. Neutral pH. Four natural deckle edges.

Machine-made in Japan of kozo/sulphite. Fibrous. Neutral pH.

Yasutomo Gasen Paper is produced in the Japanese city of Koshu, renowned for its tradition of producing high-quality papers. Ideal for sumi ink painting, watercolor, suminagashi marbling techniques, calligraphy, and block printing, each package contains 20 sheets of 82 gsm paper.

Made from 100% kozo fibers sourced from the mulberry plant, Yasutomo Kozo Paper features a rich, warm tone and is uniquely strong and absorbent thanks to the plant’s long fibers. Ideal for sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques.

Yasutomo acid-free paper is ideal for sumi painting, haiku and watercolor painting. Made in the Japanese tradition, this paper is strong and absorbent.

Made of wood pulp, Yasotomo Torinoko Paper is versatile and very sturdy for a variety of wet applications. Each package contains 20 sheets of natural white, 80 gsm paper which are lightly sized to render fine details in sumi ink, gasen watercolors, and more.