Sennelier French Artists' Watercolor - French Ochre, 21 ml, Tube

Pigment Information

This color contains the following pigments:

PBr23-Van Dyke Brown

PY3-Hansa Yellow 10G

PBr7-Raw Umber

PY150-Nickel Azo Yellow

Pigment Name

PBr23-Van Dyke Brown

Pigment Type

organic, disazo

History

This organic pigment has been called Van Dyke Brown because it is so similar to the brown used by Flemish painter Anthony van Dyck, although it is in fact a modern synthetic pigment. In addition to its use in art, it has been used as a pigment for coloring plastics and synthetic fibers.

Pigment Name

PY3-Hansa Yellow 10G

Pigment Type

organic, monoazo

Chemical Formula

C16H12CL2N4O2

Properties

This Hansa yellow is a transparent yellow. It has great brightness and tinting strength and its drying time ranges from average to slow. Hansa Yellow makes more intense tints and cleaner secondaries than Cadmium Yellows, especially when mixed with other organic or modern colors like Phthalo Blue and Green. Because they are more transparent, they have great value as glazing colors.

Permanence

This Hansa Yellow has fair to good permanence, particularly in the lighter shades.

Toxicity

Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.

History

Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.

Pigment Name

PBr7-Raw Umber

Pigment Type

earth

Chemical Name

hydrated iron oxide

Chemical Formula

α-FeO3+(OH) or Fe2O3 × MnO2

Properties

Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.

Permanence

Raw Umber has excellent permanence.

Toxicity

Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.

History

This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.

Pigment Name

PY150-Nickel Azo Yellow

Pigment Type

inorganic

Chemical Name

nickel azomethine yellow

Chemical Formula

C30H18Cl2N6NiO4

Properties

Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.

Permanence

Nickel azomethine yellow has excellent lightfastness.

Toxicity

Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink.

History

Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.