Golden Fluid Acrylics - Viridian Green Historical Hue, 8 oz bottle

Pigment Information

This color contains the following pigments:

PBr7-Burnt Umber

PB15:3-Phthalo Blue

PW4-Zinc White

PY150-Nickel Azo Yellow

Pigment Name

PBr7-Burnt Umber

Pigment Type

earth

Chemical Name

iron oxides with manganese silicates or dioxide

Chemical Formula

Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3

Properties

Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.

Permanence

Burnt Umber has good permanence.

History

This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.

Pigment Name

PB15:3-Phthalo Blue

Pigment Type

organic

Chemical Name

beta copper phthalocyanine

Chemical Formula

C32H16CuN8

Properties

Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.

Permanence

Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.

History

Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.

Pigment Name

PW4-Zinc White

Pigment Type

inorganic

Chemical Name

zinc(II)-oxide

Chemical Formula

ZnO

Properties

Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.

Permanence

Zinc White has great permanence and lightfastness.

Pigment Name

PY150-Nickel Azo Yellow

Pigment Type

inorganic

Chemical Name

nickel azomethine yellow

Chemical Formula

C30H18Cl2N6NiO4

Properties

Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.

Permanence

Nickel azomethine yellow has excellent lightfastness.

History

Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.