Schmincke Horadam Aquarell Artist Watercolor - Sepia Brown Tone, 15 ml tube

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Schmincke Horadam Aquarell Artist Watercolor - Sepia Brown Tone, 15 ml tube and swatch

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Product Details

Description:
Horadam Aquarell Artist Watercolor
Color:
Sepia Brown Tone
Size:
15 ml
No.
662
Series:
14
Mfg #:
14662006

Colors on Monitors -

Due to differences in users’ monitors, the colors presented are an approximation of the true color.

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Pigment Information

This color contains the following pigments:

PBr7-Burnt Umber

PBk9-Ivory Black

PR166-Cromophtal Scarlet


Pigment Name

PBr7-Burnt Umber

Pigment Type

earth

Chemical Name

iron oxides with manganese silicates or dioxide

Chemical Formula

Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3

Properties

Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.

Permanence

Burnt Umber has good permanence.

Toxicity

Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.

History

This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.


Pigment Name

PBk9-Ivory Black

Pigment Type

charred animal bone

Chemical Name

carbon + calcium phosphate

Chemical Formula

C + Ca3(PO4)2 or C x CaPO4

Properties

Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.

Permanence

Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.

Toxicity

Ivory Black has no significant hazards.

History

Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.


Pigment Name

PR166-Cromophtal Scarlet

Pigment Type

organic, disazo

Properties

Pigment Red 166 has a yellowish red tone. It is semi-transparent and has high tinting strength.

Permanence

Pigment Red 166 has very good lightfastness.

History

Pigment Red 166 is a disazo condensation pigment, and is used in paints, plastics, printing inks, packaging, textiles, and many other applications.


Safety Data Sheet

UPC Code: 4012380049186

ASIN #: B001KNC2TI