Schmincke Horadam Aquarell Artist Watercolor - Forest Olive, 15 ml tube
Product Details
- Description:
- Horadam Aquarell Artist Watercolor, Supergranulation
- Color:
- Forest Olive
- Size:
- 15 ml
- Format:
- Tube
- No.
- 941
Colors on Monitors -
Due to differences in users’ monitors, the colors presented are an approximation of the true color.
Reviews
Pigment Information
This color contains the following pigments:
PG18-Viridian
PBr7-Raw Sienna
PY43-Yellow Ochre
Pigment Name
PG18-Viridian
Pigment Type
inorganic
Chemical Name
chromium(III)-oxide dehydrate
Chemical Formula
Cr2O3 • 2 H2O or Cr2(OH3)
Properties
Viridian is the standard green and is stable, powerful, and cold with an emerald green undertone. It has a transparent hue, good tinting strength, a dark masstone that can be almost black at full strength, and a slow drying time in oil form. Viridian is commonly replaced by the darker, more saturated, and staining Phthalo Greens, but its properties make it a necessary part of the palette of an experienced landscape painter.
Permanence
Viridian has excellent permanence, except in high-temperature work, and is highly valued as a glazing color.
Toxicity
Viridian is slightly toxic.
History
Viridian’s name comes from the Latin viridis, meaning green. The process for manufacturing Viridian, or Transparent Oxide of Chromium, was patented by Guignet in Paris in 1859. However, it had actually been discovered by Pannetier and Binet in 1838. Viridian replaced Verdigris, which was reactive and unstable, and Emerald Green, which was a poisonous copper aceto-arsenite used as a rat poison in the sewers of Paris.
Pigment Name
PBr7-Raw Sienna
Pigment Type
earth
Chemical Name
hydrated iron oxide
Chemical Formula
α-FeO3+(OH) or Fe2O3
Properties
Raw Sienna is a moderately dull deep earth yellow with medium tinting strength and excellent transparency. It is one of the basic permanent artists' pigments and is made from a form of limonite clay whose yellow-brown color results from ferric oxides. Raw Sienna is preferable to Yellow Ochre for creating flesh tones, due to its higher subtlety of color when mixed with white. It creates a bright Ochre when mixed with Cadmium Yellow and creates greens and grays when mixed with Ultramarine. Raw Sienna dries quickly.
Permanence
Raw Sienna has good permanence.
Toxicity
Raw Sienna has no significant hazards.
History
Raw Sienna has been used as a pigment since prehistoric times, although its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
Pigment Name
PY43-Yellow Ochre
Pigment Type
earth
Chemical Name
iron(III)-oxide, hydrated
Chemical Formula
Fe2O3H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
Toxicity
Yellow Ochre is non-toxic unless it contains manganese.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Safety Data Sheet
UPC Code: 4012380227560