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Masking Fluid: Time Frame
Old Acrylic Medium: Can You Tell By The Smell?
Varnish: Utrecht Varnish temporary or permanent
Vegetable Oils: Utrecht Food Grade vs Artist Grade
Utrecht Color Range of Drying Oils
Utrecht Alkyd Gel
Utrecht Copal Medium
Utrecht Stand Oil
Utrecht Safflower Oil Paint
Utrecht Waiting to Varnish
Utrecht Craft-Gloss Medium as a Varnish new
Utrecht Damar Varnish
Utrecht Retouch issues new
What is “Megilp”?
Utrecht Retarder Gel
Utrecht Japan Drier
Acrylic Mediums Compared
Acrylic Illuminating Medium
Acrylic Modeling Paste and Extender
Linseed Oil Cold Pressed vs. Alkali Refined
The Function of Varnish in Mediums
“Bodied” Oils for Painting
What Not to Use as Varnish
When Too Much Paint Comes Out of the Tube
Diluting and Extending Acrylics
Minimum Film Forming Temperature
House Paint vs. Artists’ Colors
Opening a Stuck Acrylic Jar
Are Acrylics “Archival”?
Can I Make Fluid Acrylics?
Acrylic Primary Colors
Acrylic Paints and Issues of Permanence
Can acrylic paint be made in-studio?
Oil Painting for Beginners
Thinners for Oil Painting
Alizarin Crimson Original vs. Permanent
Blotting Excess Vehicle from Oil Paint
Graphite under Oil Paint?
Oil Shed from Tube Colors
Utrecht Artists' Oil Color, Raw Umber
Creating Long Bodied Oil Paint
Modifying Drying Rates
Oil on Paper
On Thinning Oils
Oiling Out to Revive Dull Colors
The Principle of Fat over Lean
Retouching with Alkyd
Driers in Oil Paint
Artist's Oil Colors for Staining Wood
The Paint Milling Process
White Lead Paste
Which White is Which?
Viridian Professional Oil Color
Water Miscible Oils Explained
Machine Milled vs. Hand Dispersed
Using Oil Paint that has Skinned Over
Working with Dry Pigments
“Pure Pigments” Explained
Will we run out of pigments?
Making Art In Your Living Space: Special Considerations
Work Like A Professional Artist
Selling Art on Consignment: Pros and Cons
Does art have to be hard to be good?
Restoring Worn Brushes
Paint and Storage Temperatures
Benchmark Tests for Artists' Colors
Mixing Chromatic Hues with Transparent Colors
Tubing Your Own Mixtures
Value Contrast and Overlap
How Paint Dries
Commissioned Portraits: Managing the Process
Ways to Refresh Your Art
Achieving greater economy with your paint
Making Your Brushes Last
The Risks of Soaking Brushes
Adding Fillers and Textural Inclusions to Paint
Temperature of Color
Seasoning a Palette for First Use
Study from Casts
What is Studio Craft?
Scholastic exercises you should revisit at any stage of your career
Split-complementary Color Schemes
Analogous Color Schemes
Primary Color Schemes
Paintings of Palettes
Dealing with Criticism
In Defense of Mud
What does “Archival” Mean?
Company History: Original Egg Tempera Formulas
Classical Technique- The Frottis
Vintage Utrecht Brush Craft
Utrecht History: Simple Tests
Utrecht History: THE GUIDE TO UTRECHT PROFESSIONAL ARTISTS' MATERIALS
Utrecht History: What Does 'Rhenish' Mean?
Utrecht History: Rendering Drapery
Watercolor Paper Sizing
Watercolor as a Tempera Pigment Source
The Working Properties of Paint
The Roller Mill
Easels as Gifts: A Non-artist's Shopping Guide
Economy vs. Professional Grade?
Watercolor Cakes vs Tubes
Asian Art Supplies
Animal free Art Supplies
Acrylics compared to Oils
Printing Inks and Paints Compared
Galleries: Handling Rejection
Using Resin over Paint
Removing Paint from Clothes
Why are canvases considered more valuable than watercolors?
Repairing Art: Ethical and Practical Concerns
Habits of Successful Artists
The Maquette: Sketching for Sculptors
Sculpting Waxes Explained
Rinsing Brushes Without Solvents
Barrier Creams vs. Gloves
Drying Oils and Combustion
Skin Protection for Painters
Disposing of Paint Waste
Art Materials Safety: Then and Now
Ecological Advantages of Watercolor and Gouache
Is it safe to paint with your fingers?
Linseed Oil: Odor and Safety
Rolling Canvas Paintings for Transport
Removing Picture Varnish
Repairing a Torn Canvas
Protecting Art in Challenging Conditions
Archival, Permanent and Lightfast
Cracking or Crazing
Finishing Frames with Artist's Colors
Alkyd as a Varnish
Risks of Cleaning a Painting
Is Varnishing Necessary?
What Causes Sticky Varnish?
Mold on Canvas?
“First Aid” for a Drawing
Drawing on Non-Permanent Papers
Printmaking Deckled Edge
Utrecht Gesso as a Silverpoint Ground
Maintaining Technical Pens
Sharpening a Drawing Point
Vellum, Bristol and Mylar
Preliminary Drawing on Canvas
How to know when you need a new eraser?
The 3 Drawing Exercises That Will Make You A Master
Get a grip and improve your drawings
Drawing and Painting on Printmaking Paper
Canvas Without Stretchers: Alternatives
Can Murals be Portable?
Painting on the Wrong Side of Canvas?
Exposed Gesso on an Oil Painting
The Blank Canvas: Anticipation and Intimidation
Preparing Synthetic Canvas
Customizing Factory-primed Supports
Staples or Tacks? Sides or Back?
Stretching a Round Canvas
Canvas Stretchers: An Overview
Painting Grounds: Oil-based vs Acrylic?
Preparing Your Own Canvas vs. Buying Pre-stretched
Stretched Canvas and Cracking
Troubleshooting Canvas Stretching
Should I glue the corners of my stretcher bars?
Dealing with a Loose Canvas
Canvas Covered Panels
Bracing a Panel
Making Extra-smooth Primed Panels
On Preparing Hardboard Panels
Stretching Canvas On the Bias
Eliminating Creases in Canvas
Sizing the Edges of a Panel
Troubleshooting a Homemade Ground
Managing Shrinkage when Mounting Canvas
Type 79D Linen and Sizings
The Story of Gesso
The Bias Stretching Challenge
Primed Canvas Basics
Canvas Weave Terminology
Clear vs Original Acrylic Gesso
Utrecht Clear vs Original Acrylic Gesso
Rabbit Skin Glue Shelf Life
Supports and Grounds for Oil and Tempera Painting
Modern and Traditional Sizings Compared
The Utrecht Guide to Artists’ Canvas
Utrecht Acrylic Gesso: An Overview
Incorporating the Ground Into a Painting
Painting on Raw Canvas?
Sizing and Priming in One
Impressionism: Misconceptions vs Reality
Braque and Textural Techniques in Cubism
The Brushstroke of Frans Hals
Camoufleurs: Artists at War
The Palette as a Painting Support
A Christmas Carol: Crafting a First Edition
The Impressionist Brushstroke
Picasso and Non-Traditional Paint
Chiaroscuro: Concept and Application